Hades From Hercules

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• Step by Step Drawing tutorial on How to Draw Hades from Hercules Hades is the main antagonist of the famous Disney\'s feature film Hercules. He is ruler of the underworld and also known for his evil figure in the film where he attempts to steal the throne from his brother Zeus.

  It’s fair to say that, no matter how deep you get into adulthood (or, you know, “adulthood”), you can’t get rid of how much you love Disney movies; the only thing that changes is your alliances. Yes, when you’re, for example, your eyes start to diverge from Herc’s bulging cartoon biceps, and you begin to notice how Hades got the short end of the stick. In fact, if you look into it,.All right, so I’ll admit that he does maybe one or two or thousands of heinous things. You know, he’s the Lord of the Underworld; being evil is part of his brand. Still, if you re-asses the beginnings of Hercules, and look at Hades motives in a different light, he is totally sympathetic and honorable in his way. And, like many Disney Villains before him, he serves as the catalyst for the entire movie.

  You take away the conflict, you don’t have a beloved cartoon classic.And honestly? He’s just so gosh darn cool.But if you need a little more hard evidence than my fangirl gushing, I have notes. Consider these 12 reasons why Hades may actually be a hero in his own right. Hades Was Unfairly Held Down With His Whole Ruling-The-Underworld Job.

  Fictional character from Disney\'s Hercules MegaracharacterFirst appearance(1997)Created byVoiced byInformationFull nameMegaraNicknameMegNationalityGreekMegara, also known as Meg, is a fictional character in \'s animated film (1997). Voiced by actress, Meg is introduced as a cynical young woman enslaved by, god of the underworld. Hades forces Meg to uncover \' weaknesses by seducing him in return for her freedom, only to develop genuine feelings for the character instead. Loosely based on and, \' first and second wives in, directors and adapted Meg into a, while basing her role and personality on 1940s, particularly actress \'s performance in (1941).Egan had already been starring as in the of Disney\'s (1994) when she learned of auditions for Hercules. Despite campaigning heavily for the role of Meg, Disney initially prevented Egan from auditioning because the studio felt that Meg and Belle\'s personalities differed too greatly, doubting that the actress could voice the former convincingly until she ultimately proved capable.

  To prepare for both her audition and the role, Egan drew inspiration from several actresses, including, and, in addition to Stanwyck. After opting not to draw the character, supervising animator Ken Duncan decided to incorporate elements of into Meg\'s hair, body and clothing, while borrowing some of Egan\'s own mannerisms.Reception towards Meg has been positive, with critics welcoming her independence, wit and complexity as departures from previous Disney heroines, as well as praising Egan\'s performance.

  The character is considered to be underappreciated by contemporary critics, with several media publications ranking her among Disney\'s most underrated heroines. Meg has made subsequent appearances in the film\'s, television and video game adaptations, as well as a live-action iteration in, portrayed by actress. Contents.Development Creation and writing Megara\'s role in is one of several creative liberties Disney took when adapting the into an animated film. In Greek mythology, is Hercules\' first wife, with whom the character has several children. The eldest daughter of, Megara is gifted to Hercules after he defeats the at.

  Megara and their children are eventually killed by Hercules himself, having been driven to insanity by, the wife of his unfaithful father. These elements were entirely omitted from the animated film while retaining a female character named \'Meg\', instead adapting her into a with a troubled past, whose relationship with Hercules ultimately redeems her.The writers adapted the way in which Hercules meets his second wife, into the way he meets Meg.

  Herakles author Emma Stafford determined that Disney had assimilated the character with Deianira, in addition to making Meg older and more experienced. Directors and screenwriters and primarily drew inspiration for the film from during the 1930s and 1940s, particularly films directed by and, with Musker describing Hercules as \'a comedy about the battle between and, in the same way as some of those Sturges and Capra movies\'. Thus, Meg was written as a cynical heroine who finds it difficult to trust men.The writers based Meg on actress \'s character in the film (1941). Clements said that Meg \'was especially interesting for us to create because she was so different from the other Disney heroines\' of the time period. In addition to her \'sharp-tongued\' nature, writing Meg as a heroine who plots with the film\'s villain against its hero was a stark departure from previous Disney heroines and virtually unprecedented at the time. Since Meg initially works for Hades, the writers also drew inspiration from Lola, a contracted to work for the devil in the musical (1956).

  According to, Meg was one of Disney\'s first heroines to have been written with a past. Voice Meg is voiced by American actress and singer who, prior to Hercules, had auditioned for every animated Disney film since 1991\'s. Disney was interested in recruiting a performer to voice Meg, instead of casting separate actors as the character\'s speaking and singing voices.

  At the time, Egan was starring on Broadway as in the of Beauty and the Beast, a role she originated, and had been four months into her tenure when she learned of auditions for Meg. Despite strong interest in the role and assuming her professional relationship with the studio would benefit her prospects, Disney refused to let Egan audition, stating she was \'not right\' for the character, since the filmmakers felt Meg\'s \'bad girl\' personality was far too different from the kind, sweet-natured Belle for Egan to voice convincingly. Egan pursued the role constantly until Disney finally relented. Disney initially prevented actress from auditioning for Meg because they felt that the character was too different from Beauty and the Beast\'s Belle, who Egan had been portraying on Broadway at the time.Several of Egan\'s Broadway contemporaries vied for the same role, including actresses and, both of whom attended her audition. Composer and musical director Michael Kosarin, both of whom Egan had worked with during Beauty and the Beast, oversaw her audition. Egan described the audition process as unusual because the filmmakers avoided looking at her, preferring to either close their eyes or study a drawing of Meg to help determine if her voice complimented their vision and not be distracted by Egan\'s appearance. Egan read Meg\'s lines in her naturally deep voice which sounds different than the manufactured \'Belle voice\' Disney had grown accustomed to hearing, surprising the casting directors and Menken.

  Egan relayed to the filmmakers that \'when I play Belle, I\'m acting\', describing herself as much more similar to Meg in both voice and personality. Aware that Meg was based on Stanwyck, Egan researched some of Stanwyck\'s films, as well as the performances of actresses, and, drawing inspiration from their \' of acting\'. Egan then performed \'Somewhere That\'s Green\' from Menken\'s musical (1982) as her audition song. Apart from periodic updates from Kosarin, Egan would not hear from Disney until six months afterward when the studio chose her as one of three contenders to begin animating the character to, until she was finally cast following her last. Egan had begun to grow anxious because Disney had opted to cast \'big named\' actors in several prominent roles, considering herself fortunate to play both the speaking and singing parts of her character, which had grown more uncommon in animated films.Egan continued to perform in Beauty and the Beast while working on Hercules, playing Belle throughout the day and Meg during evenings. Egan\'s first was postponed due to a foot injury she suffered on stage.

  Express your love of soccer with a football hat, or create your own pitch with goals, flags and benches. Some are happy, some are grumpy, some are down to earth and others are eccentric. Set the stage for a Chinese tea ceremony, or prepare your house for a spooktacular Halloween partyQ.The island inhabitants are an interesting bunch. Castaway paradise xbox one. Mix and match hats, shoes, tops and hairstyles to get the perfect look!

  At one point, Menken warned Egan that she had begun incorporating aspects of Meg\'s personality into Belle, saying, \'You\'re onstage and your hip juts out. It\'s like you\'re going to roll your eyes and tell the Beast to shave\', which she corrected. Egan continued to draw inspiration from performers, adapting \'a hard-boiled frame of mind\' when approaching Meg\'s, retorts and insults. She channeled actresses and for the scene in which Meg first nicknames Hercules \'Wonder Boy\'. Some of Egan\'s lines were lifted directly from her audition, particularly \'Do did they give you a name along with all those rippling pectorals?\' And \'My friends call me Meg. At least they would if I had any friends\'.

  This posed a challenge for the sound engineers, who were tasked with removing such as New York City traffic from the footage. Egan described Meg as \'the gorgeous, girl-with-a-track-record\' female character that she had always wanted to play, possessing \'the look and the one-liners I wish I could come up with in real life.\'

  Egan felt it \'fun to be funny\' as Meg, believing that her sarcastic and witty personality is typically reserved for male characters. Personality and design. Actress is among several actresses by whom Meg\'s personality and appearance were inspired; Egan also based her voice acting on Stanwyck\'s performances.Meg was inspired by 1940s screwball comediennes, specifically actress Barbara Stanwyck\'s performances in the films The Lady Eve and (both 1941). Both Egan and supervising animator Ken Duncan drew inspiration from Stanwyck\'s \'tough-minded\' demeanor in her films, with Egan describing Meg as a \'fast-talking, 1940s dame who has guys wrapped around her little finger\'.

  Egan believes Meg is a character \'somewhere in between\', unlike most Disney heroines who are typically either one or the other. Egan called Meg a \'beautiful and brilliant\' woman \'who knows how to go after what she wants,\' describing her as \'disillusioned with people\' until she meets \'Hercules, who is so pure of spirit and so honest that it re-establishes her faith in goodness.\' Comparing Meg to her other Disney heroine, Belle, Egan described the former as the to Hercules\' Belle: \'Meg is the one who\'s had a traumatic event in her life which has forced her to lose faith in people. It takes a pure spirit to reestablish that faith. For the Beast, it was Belle. For Meg, it\'s Hercules.\'

  Furthermore, Egan believes \'there\'s no other character like Meg\', elaborating that she lacks the that Belle has \'because that\'s Hercules’ job in the movie. She\'s not a princess, and she\'s not a villain.\'

  Egan believes that Meg undergoes \'a much larger arch than the Disney princesses\' as she experiences a change of heart, describing her as flawed and feeling that Disney not crowning her a princess makes her \'more relatable\'.Disney enlisted cartoonist and caricaturist to help design the film\'s characters. Alongside Hercules, Meg is one of only two prominent human characters in the film; Scarfe determined that neither character \'offered a lot for \' in comparison to the film\'s non-human characters, opting to draw them as \'good looking, hunky, pretty\' instead.

  Observing that Disney heroines \'have certainly evolved over the years\', Scarfe identified Meg as very different from from (1937), describing her as \'a feisty, in some ways cynical girl who has a lot of oomph.\' Duncan served as Meg\'s supervising animator, both designing and animating the character.

  Duncan Marjoribanks was originally intended to animate Meg, while Duncan had been slated to animate Nessus. Duncan asked to replace Marjoribanks when the latter left the production to work for. Duncan originally attempted to draw Meg as a realistic-looking heroine. Upon deciding to incorporate elements of into the character\'s hair, Duncan ultimately decided to base the character\'s entire body on pottery as well. Duncan hoped that his animation would change how Meg\'s personality was originally depicted in storyboards, from \'tough and angry to street smart and playfully sarcastic.\'

  Clements and Musker described Meg\'s head as \'sort of a vase shape\', while \'she\'s got a Greek curl in the back.\' Notably, Meg\'s hair is designed and animated in a way that is very difficult to replicate in real life.Egan feels her character closer resembles Stanwyck than herself, although some of Egan\'s mannerisms, facial expressions and features, such as Egan\'s arched eyebrows, were incorporated into the character\'s appearance by animators watching video footage of the actress recording.

  While reviewing early during production, Egan recognized Meg performing a \'slicing\' gesture with her hand she had originated during her audition when her character says \'Thanks for everything, Herc. It\'s been a real slice\', which producer Alice Dewey confirmed had been borrowed directly from Egan\'s audition. Meg\'s eye colour had been changed from blue to purple by the time Phil\'s line warning Hercules not to be distracted by her eyes was written, prompting the writers to change it from \'Don\'t let your guard down because of a pair of big, blue eyes\' to \'goo-goo eyes\'. In 2011, Egan enlisted Duncan to animate animal characters in the music video for her single \'Nina Doesn\'t Care\'. Characterization and themes Meg is the film\'s female lead. Writer Kayleigh Dray described Meg as manipulative, sarcastic, fierce, and wise, characteristics that Egan said are typically reserved for male characters in Disney films.

  \'s Greg Ehrbar observed that Meg\'s is \'unusual for a Disney heroine\', describing her as a \'descendant of a Barbara Stanwyck character\' who is also hesitant \'to get close to anyone lest they wreck her life further\', suffering from a complicated past that leaves her bitter and cynical. The \' remarked that Meg is \'a different kind of Disney heroine, the kind of been-around, good-bad girl who could have been voiced by Barbara Stanwyck.\'

  Meg is also very sarcastic, a characteristic considered to be unusual among most Disney heroines, often speaking in \'misandrist quips.\' Writer Jill Gutowitz reviewed that Meg \'was measurably more sexual than any female character\' at the time of the film\'s release; \'I had never seen a woman treat men the way she did, luring them with her catlike eyes; tugging them around by the shirt collar; dragging her spindly fingers across their pecs.

  Meg teased her friends and foes, taunting them with an air of mystery that implied she harbored secrets.\' Observing that \'Female characters tend to be fully good or fully bad in Disney movies—a Maleficent or a Sleeping Beauty, if you will\', Kate Knibbs of wrote that \'Meg is a little harder to neatly categorize, as she\'s a good person with an attitude problem who makes some bad choices. \'s Nick Spake likened Meg\'s spunk and sarcasm to those of comic book character, \'s love interest. Disney, Pixar, and the Hidden Messages of Children\'s Films author M.

  Keith Booker called Meg Hercules\' 'version of \', Superman\'s weakness. Describing Meg as \'cynical and articulate,\' 's Judith Welikala stated that the character \'shows a more devious side normally confined to villainous females,\' unlike her predecessors. Sabina Ibarra of identified Meg as \'one of Disney\'s few lady \', representing \'a reluctant hero\' until she encounters \'someone who brings out the good in her\'.Meg resents being referred to as a, particularly by Hercules when they first meet. Disinterested in and opposed to the idea of love, the character is cynical towards the idea of new romantic relationships due to suffering from a as a result of past failed relationships, particularly when an ex-lover left her for another woman. The \'s Peter Stack wrote that Meg appears to be \'as world-weary as a downtown barfly\'. Hercules must ultimately prove himself a hero by earning Meg\'s love. According to \'s Tracy Dye, Meg \'only used her feminine wiles as a guise to pay her dues to evil Hades\'.

  According to Shoshana Kessock of, Meg is an example \'of some creative editing. Where she finds her particular power in the films: through blatant uses of sexuality.\' Meg is depicted sexualizing herself in order to use her sexuality as a weapon unlike Jasmine, Pocahontas and Esmeralda, who instead are sexualized by the men around them. Meanwhile, Meg also undergoes, slowly opening up to and sacrificing herself for Hercules.

  Identifying Meg as \'a stronger and more complex female character. Than the typical Disney princess\'. Booker considers Hercules\' decision to sacrifice immortality in order to be with Meg as a \'progressive twist\' in which the hero sacrifices something important to be with his love interest, as opposed to the woman sacrificing. International versions. Actress (left) and singer (right) and the cast of Hercules were awarded best foreign dubbing worldwideOn its theater release in 1997, the movie numbered 30 dubbings worldwide, to which 5 more where added in the following years, raising the number of official versions to 35. Megara\'s voice , voice for the spoken parts, and singing voice also provided the voice of Calliope both for the spoken and sung parts, while voice-actress Nuria Mediavilla voiced Megara\'s spoken parts both in and.Actress and singer , Megara\'s speaking and singing voices respectively, along with the whole Italian cast of the movie, were awarded best foreign dubbing by Disney.

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  ...'>Hades From Hercules(14.03.2020)

• Step by Step Drawing tutorial on How to Draw Hades from Hercules Hades is the main antagonist of the famous Disney\'s feature film Hercules. He is ruler of the underworld and also known for his evil figure in the film where he attempts to steal the throne from his brother Zeus.

  It’s fair to say that, no matter how deep you get into adulthood (or, you know, “adulthood”), you can’t get rid of how much you love Disney movies; the only thing that changes is your alliances. Yes, when you’re, for example, your eyes start to diverge from Herc’s bulging cartoon biceps, and you begin to notice how Hades got the short end of the stick. In fact, if you look into it,.All right, so I’ll admit that he does maybe one or two or thousands of heinous things. You know, he’s the Lord of the Underworld; being evil is part of his brand. Still, if you re-asses the beginnings of Hercules, and look at Hades motives in a different light, he is totally sympathetic and honorable in his way. And, like many Disney Villains before him, he serves as the catalyst for the entire movie.

  You take away the conflict, you don’t have a beloved cartoon classic.And honestly? He’s just so gosh darn cool.But if you need a little more hard evidence than my fangirl gushing, I have notes. Consider these 12 reasons why Hades may actually be a hero in his own right. Hades Was Unfairly Held Down With His Whole Ruling-The-Underworld Job.

  Fictional character from Disney\'s Hercules MegaracharacterFirst appearance(1997)Created byVoiced byInformationFull nameMegaraNicknameMegNationalityGreekMegara, also known as Meg, is a fictional character in \'s animated film (1997). Voiced by actress, Meg is introduced as a cynical young woman enslaved by, god of the underworld. Hades forces Meg to uncover \' weaknesses by seducing him in return for her freedom, only to develop genuine feelings for the character instead. Loosely based on and, \' first and second wives in, directors and adapted Meg into a, while basing her role and personality on 1940s, particularly actress \'s performance in (1941).Egan had already been starring as in the of Disney\'s (1994) when she learned of auditions for Hercules. Despite campaigning heavily for the role of Meg, Disney initially prevented Egan from auditioning because the studio felt that Meg and Belle\'s personalities differed too greatly, doubting that the actress could voice the former convincingly until she ultimately proved capable.

  To prepare for both her audition and the role, Egan drew inspiration from several actresses, including, and, in addition to Stanwyck. After opting not to draw the character, supervising animator Ken Duncan decided to incorporate elements of into Meg\'s hair, body and clothing, while borrowing some of Egan\'s own mannerisms.Reception towards Meg has been positive, with critics welcoming her independence, wit and complexity as departures from previous Disney heroines, as well as praising Egan\'s performance.

  The character is considered to be underappreciated by contemporary critics, with several media publications ranking her among Disney\'s most underrated heroines. Meg has made subsequent appearances in the film\'s, television and video game adaptations, as well as a live-action iteration in, portrayed by actress. Contents.Development Creation and writing Megara\'s role in is one of several creative liberties Disney took when adapting the into an animated film. In Greek mythology, is Hercules\' first wife, with whom the character has several children. The eldest daughter of, Megara is gifted to Hercules after he defeats the at.

  Megara and their children are eventually killed by Hercules himself, having been driven to insanity by, the wife of his unfaithful father. These elements were entirely omitted from the animated film while retaining a female character named \'Meg\', instead adapting her into a with a troubled past, whose relationship with Hercules ultimately redeems her.The writers adapted the way in which Hercules meets his second wife, into the way he meets Meg.

  Herakles author Emma Stafford determined that Disney had assimilated the character with Deianira, in addition to making Meg older and more experienced. Directors and screenwriters and primarily drew inspiration for the film from during the 1930s and 1940s, particularly films directed by and, with Musker describing Hercules as \'a comedy about the battle between and, in the same way as some of those Sturges and Capra movies\'. Thus, Meg was written as a cynical heroine who finds it difficult to trust men.The writers based Meg on actress \'s character in the film (1941). Clements said that Meg \'was especially interesting for us to create because she was so different from the other Disney heroines\' of the time period. In addition to her \'sharp-tongued\' nature, writing Meg as a heroine who plots with the film\'s villain against its hero was a stark departure from previous Disney heroines and virtually unprecedented at the time. Since Meg initially works for Hades, the writers also drew inspiration from Lola, a contracted to work for the devil in the musical (1956).

  According to, Meg was one of Disney\'s first heroines to have been written with a past. Voice Meg is voiced by American actress and singer who, prior to Hercules, had auditioned for every animated Disney film since 1991\'s. Disney was interested in recruiting a performer to voice Meg, instead of casting separate actors as the character\'s speaking and singing voices.

  At the time, Egan was starring on Broadway as in the of Beauty and the Beast, a role she originated, and had been four months into her tenure when she learned of auditions for Meg. Despite strong interest in the role and assuming her professional relationship with the studio would benefit her prospects, Disney refused to let Egan audition, stating she was \'not right\' for the character, since the filmmakers felt Meg\'s \'bad girl\' personality was far too different from the kind, sweet-natured Belle for Egan to voice convincingly. Egan pursued the role constantly until Disney finally relented. Disney initially prevented actress from auditioning for Meg because they felt that the character was too different from Beauty and the Beast\'s Belle, who Egan had been portraying on Broadway at the time.Several of Egan\'s Broadway contemporaries vied for the same role, including actresses and, both of whom attended her audition. Composer and musical director Michael Kosarin, both of whom Egan had worked with during Beauty and the Beast, oversaw her audition. Egan described the audition process as unusual because the filmmakers avoided looking at her, preferring to either close their eyes or study a drawing of Meg to help determine if her voice complimented their vision and not be distracted by Egan\'s appearance. Egan read Meg\'s lines in her naturally deep voice which sounds different than the manufactured \'Belle voice\' Disney had grown accustomed to hearing, surprising the casting directors and Menken.

  Egan relayed to the filmmakers that \'when I play Belle, I\'m acting\', describing herself as much more similar to Meg in both voice and personality. Aware that Meg was based on Stanwyck, Egan researched some of Stanwyck\'s films, as well as the performances of actresses, and, drawing inspiration from their \' of acting\'. Egan then performed \'Somewhere That\'s Green\' from Menken\'s musical (1982) as her audition song. Apart from periodic updates from Kosarin, Egan would not hear from Disney until six months afterward when the studio chose her as one of three contenders to begin animating the character to, until she was finally cast following her last. Egan had begun to grow anxious because Disney had opted to cast \'big named\' actors in several prominent roles, considering herself fortunate to play both the speaking and singing parts of her character, which had grown more uncommon in animated films.Egan continued to perform in Beauty and the Beast while working on Hercules, playing Belle throughout the day and Meg during evenings. Egan\'s first was postponed due to a foot injury she suffered on stage.

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  At one point, Menken warned Egan that she had begun incorporating aspects of Meg\'s personality into Belle, saying, \'You\'re onstage and your hip juts out. It\'s like you\'re going to roll your eyes and tell the Beast to shave\', which she corrected. Egan continued to draw inspiration from performers, adapting \'a hard-boiled frame of mind\' when approaching Meg\'s, retorts and insults. She channeled actresses and for the scene in which Meg first nicknames Hercules \'Wonder Boy\'. Some of Egan\'s lines were lifted directly from her audition, particularly \'Do did they give you a name along with all those rippling pectorals?\' And \'My friends call me Meg. At least they would if I had any friends\'.

  This posed a challenge for the sound engineers, who were tasked with removing such as New York City traffic from the footage. Egan described Meg as \'the gorgeous, girl-with-a-track-record\' female character that she had always wanted to play, possessing \'the look and the one-liners I wish I could come up with in real life.\'

  Egan felt it \'fun to be funny\' as Meg, believing that her sarcastic and witty personality is typically reserved for male characters. Personality and design. Actress is among several actresses by whom Meg\'s personality and appearance were inspired; Egan also based her voice acting on Stanwyck\'s performances.Meg was inspired by 1940s screwball comediennes, specifically actress Barbara Stanwyck\'s performances in the films The Lady Eve and (both 1941). Both Egan and supervising animator Ken Duncan drew inspiration from Stanwyck\'s \'tough-minded\' demeanor in her films, with Egan describing Meg as a \'fast-talking, 1940s dame who has guys wrapped around her little finger\'.

  Egan believes Meg is a character \'somewhere in between\', unlike most Disney heroines who are typically either one or the other. Egan called Meg a \'beautiful and brilliant\' woman \'who knows how to go after what she wants,\' describing her as \'disillusioned with people\' until she meets \'Hercules, who is so pure of spirit and so honest that it re-establishes her faith in goodness.\' Comparing Meg to her other Disney heroine, Belle, Egan described the former as the to Hercules\' Belle: \'Meg is the one who\'s had a traumatic event in her life which has forced her to lose faith in people. It takes a pure spirit to reestablish that faith. For the Beast, it was Belle. For Meg, it\'s Hercules.\'

  Furthermore, Egan believes \'there\'s no other character like Meg\', elaborating that she lacks the that Belle has \'because that\'s Hercules’ job in the movie. She\'s not a princess, and she\'s not a villain.\'

  Egan believes that Meg undergoes \'a much larger arch than the Disney princesses\' as she experiences a change of heart, describing her as flawed and feeling that Disney not crowning her a princess makes her \'more relatable\'.Disney enlisted cartoonist and caricaturist to help design the film\'s characters. Alongside Hercules, Meg is one of only two prominent human characters in the film; Scarfe determined that neither character \'offered a lot for \' in comparison to the film\'s non-human characters, opting to draw them as \'good looking, hunky, pretty\' instead.

  Observing that Disney heroines \'have certainly evolved over the years\', Scarfe identified Meg as very different from from (1937), describing her as \'a feisty, in some ways cynical girl who has a lot of oomph.\' Duncan served as Meg\'s supervising animator, both designing and animating the character.

  Duncan Marjoribanks was originally intended to animate Meg, while Duncan had been slated to animate Nessus. Duncan asked to replace Marjoribanks when the latter left the production to work for. Duncan originally attempted to draw Meg as a realistic-looking heroine. Upon deciding to incorporate elements of into the character\'s hair, Duncan ultimately decided to base the character\'s entire body on pottery as well. Duncan hoped that his animation would change how Meg\'s personality was originally depicted in storyboards, from \'tough and angry to street smart and playfully sarcastic.\'

  Clements and Musker described Meg\'s head as \'sort of a vase shape\', while \'she\'s got a Greek curl in the back.\' Notably, Meg\'s hair is designed and animated in a way that is very difficult to replicate in real life.Egan feels her character closer resembles Stanwyck than herself, although some of Egan\'s mannerisms, facial expressions and features, such as Egan\'s arched eyebrows, were incorporated into the character\'s appearance by animators watching video footage of the actress recording.

  While reviewing early during production, Egan recognized Meg performing a \'slicing\' gesture with her hand she had originated during her audition when her character says \'Thanks for everything, Herc. It\'s been a real slice\', which producer Alice Dewey confirmed had been borrowed directly from Egan\'s audition. Meg\'s eye colour had been changed from blue to purple by the time Phil\'s line warning Hercules not to be distracted by her eyes was written, prompting the writers to change it from \'Don\'t let your guard down because of a pair of big, blue eyes\' to \'goo-goo eyes\'. In 2011, Egan enlisted Duncan to animate animal characters in the music video for her single \'Nina Doesn\'t Care\'. Characterization and themes Meg is the film\'s female lead. Writer Kayleigh Dray described Meg as manipulative, sarcastic, fierce, and wise, characteristics that Egan said are typically reserved for male characters in Disney films.

  \'s Greg Ehrbar observed that Meg\'s is \'unusual for a Disney heroine\', describing her as a \'descendant of a Barbara Stanwyck character\' who is also hesitant \'to get close to anyone lest they wreck her life further\', suffering from a complicated past that leaves her bitter and cynical. The \' remarked that Meg is \'a different kind of Disney heroine, the kind of been-around, good-bad girl who could have been voiced by Barbara Stanwyck.\'

  Meg is also very sarcastic, a characteristic considered to be unusual among most Disney heroines, often speaking in \'misandrist quips.\' Writer Jill Gutowitz reviewed that Meg \'was measurably more sexual than any female character\' at the time of the film\'s release; \'I had never seen a woman treat men the way she did, luring them with her catlike eyes; tugging them around by the shirt collar; dragging her spindly fingers across their pecs.

  Meg teased her friends and foes, taunting them with an air of mystery that implied she harbored secrets.\' Observing that \'Female characters tend to be fully good or fully bad in Disney movies—a Maleficent or a Sleeping Beauty, if you will\', Kate Knibbs of wrote that \'Meg is a little harder to neatly categorize, as she\'s a good person with an attitude problem who makes some bad choices. \'s Nick Spake likened Meg\'s spunk and sarcasm to those of comic book character, \'s love interest. Disney, Pixar, and the Hidden Messages of Children\'s Films author M.

  Keith Booker called Meg Hercules\' 'version of \', Superman\'s weakness. Describing Meg as \'cynical and articulate,\' 's Judith Welikala stated that the character \'shows a more devious side normally confined to villainous females,\' unlike her predecessors. Sabina Ibarra of identified Meg as \'one of Disney\'s few lady \', representing \'a reluctant hero\' until she encounters \'someone who brings out the good in her\'.Meg resents being referred to as a, particularly by Hercules when they first meet. Disinterested in and opposed to the idea of love, the character is cynical towards the idea of new romantic relationships due to suffering from a as a result of past failed relationships, particularly when an ex-lover left her for another woman. The \'s Peter Stack wrote that Meg appears to be \'as world-weary as a downtown barfly\'. Hercules must ultimately prove himself a hero by earning Meg\'s love. According to \'s Tracy Dye, Meg \'only used her feminine wiles as a guise to pay her dues to evil Hades\'.

  According to Shoshana Kessock of, Meg is an example \'of some creative editing. Where she finds her particular power in the films: through blatant uses of sexuality.\' Meg is depicted sexualizing herself in order to use her sexuality as a weapon unlike Jasmine, Pocahontas and Esmeralda, who instead are sexualized by the men around them. Meanwhile, Meg also undergoes, slowly opening up to and sacrificing herself for Hercules.

  Identifying Meg as \'a stronger and more complex female character. Than the typical Disney princess\'. Booker considers Hercules\' decision to sacrifice immortality in order to be with Meg as a \'progressive twist\' in which the hero sacrifices something important to be with his love interest, as opposed to the woman sacrificing. International versions. Actress (left) and singer (right) and the cast of Hercules were awarded best foreign dubbing worldwideOn its theater release in 1997, the movie numbered 30 dubbings worldwide, to which 5 more where added in the following years, raising the number of official versions to 35. Megara\'s voice , voice for the spoken parts, and singing voice also provided the voice of Calliope both for the spoken and sung parts, while voice-actress Nuria Mediavilla voiced Megara\'s spoken parts both in and.Actress and singer , Megara\'s speaking and singing voices respectively, along with the whole Italian cast of the movie, were awarded best foreign dubbing by Disney.

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  ...'>Hades From Hercules(14.03.2020)